Upon your white unblemished thigh
O stained with rocket fire sky
A wound erupts at evening shine
Orange as Christmas clementine.
Patience climbs the tower of thrust.
His foot dislodges flakes of rust
That shimmer to the ground and sigh
“The window of the launch is nigh—
“Open your casements, rain soft fruit
Upon our undeserving suit,
Star fruit, according to the seasons,
Absent motives, absent reasons.”
1/1/2014
Tuesday, December 31, 2013
End of Dream
At a place where the earth’s eye (the sky) bathes in mirror and conceals its nakedness with pure light from the callow fecklessness of man, an excited four-pound monofilament fishing line connected by an exquisite hook to the most sensitive lower lip of the earth’s rainbow tugs at nerve fibers and sticky, clotted viscera in one’s vital areas, evoking panic and death. Will it jerk an emission from one? At the back of one’s cave an old hunger awakens. A patterned china plate is littered with sickening bones and gristle. One must wake up one simply must wake up. End of dream.
(Last entry of 2013)
(Last entry of 2013)
Friday, December 27, 2013
Love's Fist
One drop of night’s black ink a rarified
Blue blood smear on dawn’s laboratory slide
As stellar consternation’s scruples mount
Anent earth’s elevated white cell count,
The town begins to stir. A distant car
Sneezes to life. Its starting leaves a scar
On the slashed silence. Trash cans sing
As drivers feed them before motoring.
Thunderous birdsong floods the ear and wheezes
As love’s fist grasps a feathered heart and squeezes.
The fist that wrings the poor bird’s soggy heart
And animates its limbs in every part
Massages pistons in the engine’s chest
And quickens matter at the wind’s behest.
Some sodden cars parked street-wise sweat with dew
In the cool morning air’s metallic stew.
8/24/2011
Blue blood smear on dawn’s laboratory slide
As stellar consternation’s scruples mount
Anent earth’s elevated white cell count,
The town begins to stir. A distant car
Sneezes to life. Its starting leaves a scar
On the slashed silence. Trash cans sing
As drivers feed them before motoring.
Thunderous birdsong floods the ear and wheezes
As love’s fist grasps a feathered heart and squeezes.
The fist that wrings the poor bird’s soggy heart
And animates its limbs in every part
Massages pistons in the engine’s chest
And quickens matter at the wind’s behest.
Some sodden cars parked street-wise sweat with dew
In the cool morning air’s metallic stew.
8/24/2011
Night Prayer
Tactile sky, a child’s bedroom wall at night.
A blue star like a gas fire pilot light.
Wallpaper frieze, or drooping elm tree clusters?
Night-lacquered saraband of interlaced leaf lusters.
Presentiments of deluge, featured in
The walled sky’s membranous translucent skin;
A bleeding-through of humors, held the while
By nothing but the muscles of a smile;
Ready to burst, an eyeball fat with dew,
The ocular tumescence of a view
Galaxies-wide in compass, in whose girth
And argent perlustrations drowns the earth.
Night vault, in whose ideal rotundity
Thunder awakens, cloud your eyes, as we
Breath on a lens; your deafening vastness this
Will sweeten with the moisture of a kiss.
1/6/2012
A blue star like a gas fire pilot light.
Wallpaper frieze, or drooping elm tree clusters?
Night-lacquered saraband of interlaced leaf lusters.
Presentiments of deluge, featured in
The walled sky’s membranous translucent skin;
A bleeding-through of humors, held the while
By nothing but the muscles of a smile;
Ready to burst, an eyeball fat with dew,
The ocular tumescence of a view
Galaxies-wide in compass, in whose girth
And argent perlustrations drowns the earth.
Night vault, in whose ideal rotundity
Thunder awakens, cloud your eyes, as we
Breath on a lens; your deafening vastness this
Will sweeten with the moisture of a kiss.
1/6/2012
Wednesday, December 25, 2013
On a Company of Female Athletes
Some women, chastity their sword,
Under the star of battle seek
Glory in war, the past restored,
A breath of things uniquely Greek.
Nude to the waist, each handsome bust,
Gives off, amid the scent of flower
An awesome scent of stadium dust
Rose oil and sweat and milk gone sour.
Their loins unclothed, their limbs unfresh,
Into the shower rooms they fleet
To rinse their battle-weary flesh
And stanch the sour smell of defeat.
(1981?)
Under the star of battle seek
Glory in war, the past restored,
A breath of things uniquely Greek.
Nude to the waist, each handsome bust,
Gives off, amid the scent of flower
An awesome scent of stadium dust
Rose oil and sweat and milk gone sour.
Their loins unclothed, their limbs unfresh,
Into the shower rooms they fleet
To rinse their battle-weary flesh
And stanch the sour smell of defeat.
(1981?)
Friday, December 20, 2013
The Elm
Harsh wind rifles and harps
In the fleece and bones of the elm,
Rocks it inside and fillups
Its leafy ribs with its fingers
Tormenting brilliant storm chords
Out of its sea-green welter,
Imbuing with blue-flash lightning
The somber heart in its slumber.
Pellets of fish-eyed water
Glide off its green pelisse.
Myriad post-storm droplets
Glitter like broken glass chips
In a hallway of shattered mirrors,
Ensnared on fishhooks of light.
Everyone shudders to see what
The storm sees, throned in its tree.
12/21/2013
In the fleece and bones of the elm,
Rocks it inside and fillups
Its leafy ribs with its fingers
Tormenting brilliant storm chords
Out of its sea-green welter,
Imbuing with blue-flash lightning
The somber heart in its slumber.
Pellets of fish-eyed water
Glide off its green pelisse.
Myriad post-storm droplets
Glitter like broken glass chips
In a hallway of shattered mirrors,
Ensnared on fishhooks of light.
Everyone shudders to see what
The storm sees, throned in its tree.
12/21/2013
Saturday, November 30, 2013
Reyna
Her moist incisement trickles venom
Onto soiled designer denim
While her breasts enlarge and taughten
Under nipple-darkened cotton
And her panther ass tattoo
Bulges lewdly into view
Where her fashion-shrunken pants
Betray its murderous advance.
Her killing ground: a concrete floor
Lined with shops. Intent on more
She prowls. Eight thousand miles below
Lies a swamp of indigo
Stars. Encased in warm cement
Her feet take root. An increment
Of planetary influence
Blooms in her flesh like God’s incense.
11/30/2013
Onto soiled designer denim
While her breasts enlarge and taughten
Under nipple-darkened cotton
And her panther ass tattoo
Bulges lewdly into view
Where her fashion-shrunken pants
Betray its murderous advance.
Her killing ground: a concrete floor
Lined with shops. Intent on more
She prowls. Eight thousand miles below
Lies a swamp of indigo
Stars. Encased in warm cement
Her feet take root. An increment
Of planetary influence
Blooms in her flesh like God’s incense.
11/30/2013
Friday, November 1, 2013
Love's Supremacy
Two wizened sluts with cum-slubbered faces
Crumb seven last lovedrops with spearing tongues
On pacified islands of body hair
As Venus scorches the field of Mars
With the iron hoops of her chariot wheels
To celebrate Love’s supremacy.
June 2012
Crumb seven last lovedrops with spearing tongues
On pacified islands of body hair
As Venus scorches the field of Mars
With the iron hoops of her chariot wheels
To celebrate Love’s supremacy.
June 2012
Sunday, October 27, 2013
Two Poems
Aubade
O sky on whose soft bed of air
an eagle feather fluoresces
porched above adventure
on ledges of knife’s thickness
above stained-with-strawberry satin
on the mouth-of-the-earth’s pillow.
Day breaks the heart of the body
of dawn’s lung liquefying,
coughing its song of decay
in blossoming putrefaction:
delicate flecks of pearl,
puddle of pink-green feathers.
Earth, death, beauty:
A Madagascar bird snake’s
coughed from its throat of azure
serpent-vomited rainbow
nightmare iridescence,
dust on the horizon
like beads of colored phlegm;
earth’s lung lined with moulting
feathers steeped in dying
apricot-compote syrup;
larks’ lungs poached in wine sauce;
the spectacular, tubercular
stained-pillow dawn.
August 2013
The City
Soles sucked by sobbing cement, I sauntered
Killed by gravity’s amorous hug. I wandered
City sidewalks dead with feet imprisoned
In unobstructed freedom’s dense derision.
This ossified bone of civilized contention
Spacious enough to hide creation’s stench in,
This architectural sepulcher dedicated
To housing mankind’s criminally medicated,
Can only, having passed enlightenment’s due date,
Fart exhaust fumes, and in a taxi’s queue wait.
October 2013
Wednesday, August 21, 2013
The Dragon Orchard
I
Peach-poised, weightless, on a hard chair. Pleached, shaded, concealing glowing fruit. Pencil skirt. Uniform blouse. Notepad mortar-boarded on her pointy knee, sucking a pencil lead. Sharp: ready to take down every word. My amanuensis. Ready. Begin:
The Dragon Orchard
Blue flash of rock in the deep, the dragon-writhing, mist-shrouded bowels of the earth, granite-sinewed contortions of stone, petrified fearscape wreathed with fire.
O twisty dragons! (The nine sons of the Dragon King, and at least one from the Shahnameh. Ten dragons I counted.)
Far beneath the Manhattan schist, the Inwood marble, the Fordham gneiss. Somewhere under Washington Heights.
Like a snarling nest of cockroach mothers fat with tear-drop eggcases hanging off the ends of their long elegant abdomens, behind the wire shelves in a fetid storage locker on 151th Street, under canisters of mayonnaise, towers of deli pickles and styrofoam trays.
Intellectual dragons, coils of knotted flesh, their watered-silk integuments the color of blued steel, shooting livid fire and casting off flakes of light, ripples of noiseless energy.
Sheets of blue flame sloughing from their carved gemstone backs, their eel-smooth bodies like dandruff into the void, like autumn leaves from an orchard of dragons under my bed.
"The nine sons of the Dragon King...."
"....and at least one from the Shahnameh."
(Click on pictures to view full size.)
II
Wandering in the dragon orchard I met a girl. The visual essence of her flowering, fourteen year-old never-exfoliated, derm-abraded, spa-pampered skin seeped into my eyes and drenched my optic nerves, flooding my olfactory circuits and spilling over into my loins. Now, close to the flesh of things, I smell colors, or more precisely feel them, cupped in my hand like a breast or—in the case of many colors—like a middle manager’s abused, misshapen, leather-encased fifty year-old sweaty malodorous feet. Colors engendered in marketing surveys, developed by research teams and debated across conference tables, then manufactured in laboratories and chemical plants where the living, speaking surface of things (not colors—there are no colors in nature) is transformed into crematorium smoke to goose up our sunsets. Mortuary showroom colors. Hunter green. Harvest gold. The new black at nature’s funeral. The toxic skin color of waiting room furniture. The jaundiced, garish hue of twelve-packs of drumsticks in the supermarket poultry aisle, mummified in plastic.
The feet of my darling are watchful, timid and dusty, like small animals.
Peach-poised, weightless, on a hard chair. Pleached, shaded, concealing glowing fruit. Pencil skirt. Uniform blouse. Notepad mortar-boarded on her pointy knee, sucking a pencil lead. Sharp: ready to take down every word. My amanuensis. Ready. Begin:
The Dragon Orchard
Blue flash of rock in the deep, the dragon-writhing, mist-shrouded bowels of the earth, granite-sinewed contortions of stone, petrified fearscape wreathed with fire.
O twisty dragons! (The nine sons of the Dragon King, and at least one from the Shahnameh. Ten dragons I counted.)
Far beneath the Manhattan schist, the Inwood marble, the Fordham gneiss. Somewhere under Washington Heights.
Like a snarling nest of cockroach mothers fat with tear-drop eggcases hanging off the ends of their long elegant abdomens, behind the wire shelves in a fetid storage locker on 151th Street, under canisters of mayonnaise, towers of deli pickles and styrofoam trays.
Intellectual dragons, coils of knotted flesh, their watered-silk integuments the color of blued steel, shooting livid fire and casting off flakes of light, ripples of noiseless energy.
Sheets of blue flame sloughing from their carved gemstone backs, their eel-smooth bodies like dandruff into the void, like autumn leaves from an orchard of dragons under my bed.
"The nine sons of the Dragon King...."
"....and at least one from the Shahnameh."
(Click on pictures to view full size.)
II
Wandering in the dragon orchard I met a girl. The visual essence of her flowering, fourteen year-old never-exfoliated, derm-abraded, spa-pampered skin seeped into my eyes and drenched my optic nerves, flooding my olfactory circuits and spilling over into my loins. Now, close to the flesh of things, I smell colors, or more precisely feel them, cupped in my hand like a breast or—in the case of many colors—like a middle manager’s abused, misshapen, leather-encased fifty year-old sweaty malodorous feet. Colors engendered in marketing surveys, developed by research teams and debated across conference tables, then manufactured in laboratories and chemical plants where the living, speaking surface of things (not colors—there are no colors in nature) is transformed into crematorium smoke to goose up our sunsets. Mortuary showroom colors. Hunter green. Harvest gold. The new black at nature’s funeral. The toxic skin color of waiting room furniture. The jaundiced, garish hue of twelve-packs of drumsticks in the supermarket poultry aisle, mummified in plastic.
The feet of my darling are watchful, timid and dusty, like small animals.
Monday, August 12, 2013
The Poet’s Angiogram
The poet’s angiogram would reveal me with its fluoroscopic dyes as a branching bloodcloud dilated in space around a pumping organ. Ready to fall into the sky at any moment through a tear in the pavement of reality. Though a tear in the skin of the model on the magazine cover. (The “tear” at the corner of her eye is based on inadmissible wordplay, a thoughtless homonym.) A roving purple mist of anxiety and longing.
(Language should wallpaper our world, not harbor bedbugs of infinity under its curling edges.)
Expelled from my mother's womb into the shark tank of reality, I am already "blood in the water."
O air whose waters I purple
Luminous clear ink dream dark with gravity’s
Invisible shark.
As when, on a first date, you plump yourself down on a corner of your apartment balcony to smoke a cigarette, showing off the expensive view to your new playmate, and the railing gives way sending you plummeting seventeen stories to your death on the street below, hitting a construction scaffolding on the way down. (Oops, I fell out of my life. I tripped on the sky.) Successive freeze-thaw cycles over the course of seasons have turned the concrete to oatmeal around the rusting anchor bolts. What are the innocent zigzags in winter’s temperature graph but the teeth of the invisible shark? Gravity is not a “physical constant” but a creeping hesitation, a conspiracy of opportunities, a web or tissue of increments, of dark—albeit slow—designs as candid and transparent as air, hidden in broad daylight—or as the “clear ink” (have you ever seen the ocean at night?) gravity conceals itself with while creating its masterpiece, dipping its pen in the inexhaustible well of luminous, inexplicable last moments.
(Language should wallpaper our world, not harbor bedbugs of infinity under its curling edges.)
Expelled from my mother's womb into the shark tank of reality, I am already "blood in the water."
O air whose waters I purple
Luminous clear ink dream dark with gravity’s
Invisible shark.
As when, on a first date, you plump yourself down on a corner of your apartment balcony to smoke a cigarette, showing off the expensive view to your new playmate, and the railing gives way sending you plummeting seventeen stories to your death on the street below, hitting a construction scaffolding on the way down. (Oops, I fell out of my life. I tripped on the sky.) Successive freeze-thaw cycles over the course of seasons have turned the concrete to oatmeal around the rusting anchor bolts. What are the innocent zigzags in winter’s temperature graph but the teeth of the invisible shark? Gravity is not a “physical constant” but a creeping hesitation, a conspiracy of opportunities, a web or tissue of increments, of dark—albeit slow—designs as candid and transparent as air, hidden in broad daylight—or as the “clear ink” (have you ever seen the ocean at night?) gravity conceals itself with while creating its masterpiece, dipping its pen in the inexhaustible well of luminous, inexplicable last moments.
Tuesday, August 6, 2013
Three Sonnets
I
My idle prospects are an open wold
Where, in the sun, the dews of morning burn
Naked and pale, in fields of ripe lucerne,
Fragrant lucerne, azure and smoking gold
(Incense more pleasing if the truth be told
To the gods’ nostrils than the soot’s return
As acid rain—tribute the heavens spurn
As sickly—to this miserable pinfold).
Industrious youth! The high gods laugh to scorn
Your picked fruits pilfered in the hopeful morn.
You are the abundance. Your soft flesh, O youth,
Divesting to the noontide’s amorous tooth
Its shroud of mortal snow will stain the sky
With gold and turquoise filaments, burn and die.
9/13/2011
II
(Faust, Zweiter Teil, Fünfter Akt, v. 11581-11586)
Though my intended task is still undone,
My stone-pale blood reduced and untoward
My backward youth could wish its maiden sword
Were fleshed with deeds and sated with the sun.
To wrest by force of art from the million-
Marvelled fortress of language the bright hoard
Of silver words, by dragon-avarice stored
Against all strength, is hardship scarce begun.
But all that I in animal fury durst
In one proud heartbeat meeting strength with strength
Is animal fury scorned and wasted breath
Until time like a ruptured artery burst
And saturate the sky throughout its length
With poetry, hypoxia and death.
5/4/2012
III
The wind is fair, and tides of sunlit foam
Engage, immesh, retreat and flash again
In liquid foray, like embattled men.
This pulse of spray, this dance of tides, this dome
Of sweet and sea bright air, I call my home;
An exiled slave, till fortune, fate or pen
Secure release, and once more rapt, I ken
My salt and crystal sea, my spirit’s Rome.
The rape of Aphrodite: a child’s flesh
Polluted by excited sea foam. Dragon
Semen milked from the all-inseminating
Seahorses yoked to Oceanus’ wagon
Coating her calves and ankles with the fresh
Spittle roused by the wrath of the God’s mating.
3/16/2012
My idle prospects are an open wold
Where, in the sun, the dews of morning burn
Naked and pale, in fields of ripe lucerne,
Fragrant lucerne, azure and smoking gold
(Incense more pleasing if the truth be told
To the gods’ nostrils than the soot’s return
As acid rain—tribute the heavens spurn
As sickly—to this miserable pinfold).
Industrious youth! The high gods laugh to scorn
Your picked fruits pilfered in the hopeful morn.
You are the abundance. Your soft flesh, O youth,
Divesting to the noontide’s amorous tooth
Its shroud of mortal snow will stain the sky
With gold and turquoise filaments, burn and die.
9/13/2011
II
(Faust, Zweiter Teil, Fünfter Akt, v. 11581-11586)
Though my intended task is still undone,
My stone-pale blood reduced and untoward
My backward youth could wish its maiden sword
Were fleshed with deeds and sated with the sun.
To wrest by force of art from the million-
Marvelled fortress of language the bright hoard
Of silver words, by dragon-avarice stored
Against all strength, is hardship scarce begun.
But all that I in animal fury durst
In one proud heartbeat meeting strength with strength
Is animal fury scorned and wasted breath
Until time like a ruptured artery burst
And saturate the sky throughout its length
With poetry, hypoxia and death.
5/4/2012
III
The wind is fair, and tides of sunlit foam
Engage, immesh, retreat and flash again
In liquid foray, like embattled men.
This pulse of spray, this dance of tides, this dome
Of sweet and sea bright air, I call my home;
An exiled slave, till fortune, fate or pen
Secure release, and once more rapt, I ken
My salt and crystal sea, my spirit’s Rome.
The rape of Aphrodite: a child’s flesh
Polluted by excited sea foam. Dragon
Semen milked from the all-inseminating
Seahorses yoked to Oceanus’ wagon
Coating her calves and ankles with the fresh
Spittle roused by the wrath of the God’s mating.
3/16/2012
Sunday, June 23, 2013
Hudson River, George Washington Bridge
Unravelled from its rain spool, the mist-spun
River a smeared jewel in the noonday sun
Under a feast of aether. Fair clouds pass
Locked enthralled in their high tower of glass
Like parsley flowers strewn on a hillside’s crest;
Spars or ribs in Jupiter’s mighty chest;
Florentine tresses plaited with wildflowers;
Worlds on a dial of planetary hours
Enamelled with celestial animals—
Flora and fauna that a light wind mauls.
Crushed like unwrinkled water I fall too
Prostrate under this avalanche of blue.
Thus the hours of day dream on the water,
Night-scales and day-scales of the ocean’s daughter
And as time creeps toward his lightless deep
Under her steel-gray dragon mantle sleep.
2/5/2012
River a smeared jewel in the noonday sun
Under a feast of aether. Fair clouds pass
Locked enthralled in their high tower of glass
Like parsley flowers strewn on a hillside’s crest;
Spars or ribs in Jupiter’s mighty chest;
Florentine tresses plaited with wildflowers;
Worlds on a dial of planetary hours
Enamelled with celestial animals—
Flora and fauna that a light wind mauls.
Crushed like unwrinkled water I fall too
Prostrate under this avalanche of blue.
Thus the hours of day dream on the water,
Night-scales and day-scales of the ocean’s daughter
And as time creeps toward his lightless deep
Under her steel-gray dragon mantle sleep.
2/5/2012
Monday, June 17, 2013
The Sphenoid
A sonnet written upon looking at the illustration of a skull in a medical dictionary.
Concealed by muscle, powder, bone and hair
In duplex from the corners of her eyes
The twin lobes of her shapely sphenoid flare
Like wing-tips of a bird of paradise.
The cranium, bound with words: a veil of skin
Obscures its features, like a lady’s fan
Stretched on a frame that—blue, translucent, thin—
Is moist and flaky, like a sticky flan.
Suffused and dripping with the sauce of blood
That irrigates the temple of the flesh
It will endure until the purple flood
Subsides, the sutures of the bone unmesh
And the bare urn lies vanquished—jumbled sherds
Abandoned by the weak cement of words.
1982-1986?
Concealed by muscle, powder, bone and hair
In duplex from the corners of her eyes
The twin lobes of her shapely sphenoid flare
Like wing-tips of a bird of paradise.
The cranium, bound with words: a veil of skin
Obscures its features, like a lady’s fan
Stretched on a frame that—blue, translucent, thin—
Is moist and flaky, like a sticky flan.
Suffused and dripping with the sauce of blood
That irrigates the temple of the flesh
It will endure until the purple flood
Subsides, the sutures of the bone unmesh
And the bare urn lies vanquished—jumbled sherds
Abandoned by the weak cement of words.
1982-1986?
All Points Bulletin
Felicia Foster. Eyes: green.
Hair: russet (when last seen
In a fashion magazine).
Limbs: graceful. Skin: creamy.
Lips: soft. Figure: dreamy.
(She makes your glasses steamy.)
Be on the lookout. Likes books.
Glances more lethal than a crook’s
Heater. Notorious in looks.
1982-86?
Hair: russet (when last seen
In a fashion magazine).
Limbs: graceful. Skin: creamy.
Lips: soft. Figure: dreamy.
(She makes your glasses steamy.)
Be on the lookout. Likes books.
Glances more lethal than a crook’s
Heater. Notorious in looks.
1982-86?
Happy Slaves
Every Bulkan farmer glaives
Fieldcorn with a toothsome scythe
In the land of happy slaves
Where the cutlery is blithe.
Oily shingles, pungent lights,
Walls piled high with well-fed bricks—
Institutional delights—
Winsome axes full of nicks.
Here, like stillborn eggs of thought,
Warm glass bulbs containing small
Writhing embryos of hot
Wormlight sprout from post and wall.
I salute you, happy slaves!
Every evening, one by one,
Mother earth expertly shaves
Bleeding slabs from Father sun.
Written 1982-86? (sometime in the early 1980's)
Fieldcorn with a toothsome scythe
In the land of happy slaves
Where the cutlery is blithe.
Oily shingles, pungent lights,
Walls piled high with well-fed bricks—
Institutional delights—
Winsome axes full of nicks.
Here, like stillborn eggs of thought,
Warm glass bulbs containing small
Writhing embryos of hot
Wormlight sprout from post and wall.
I salute you, happy slaves!
Every evening, one by one,
Mother earth expertly shaves
Bleeding slabs from Father sun.
Written 1982-86? (sometime in the early 1980's)
Saturday, January 26, 2013
The Beryl Sea
The beryl sea, a tube of molten glass
Rolled like sheet music.
Like tumblers of a lock, sea-foam hammers
Dip and soar, paw the air.
Watch the mincing surf glide on piano wire feet.
A key turns in a sun-scoured cylinder,
A secret drawer opens on bubbling sand
And the sea swallows its glossy tongue.
Tuesday, January 1, 2013
Grendel
I was still reeling from Sandy’s punch when the Sandy Hook left hook shook. Like the Double Monster in the famous Beowulf saga: Grendel-and-his-Mother. (Ancient sagas are the only true histories and they seem to be coming true true lately with alarming frequency–like Noah’s Fludde in “Moonrise Kingdom.”) The “ Grendel-and-his-Mother” monster attacked a school and ate 20 children and 6 adults. It swallowed them in the tips of close to a thousand rounds of hollow point military ammunition (expensive little suckers but luckily he was a rich kid and could afford the “best”) purchased by the doting mother for her son “to bring him out of his shell” (out of his Grendel-cave in the dark basement where he dithered with computers). When it comes time for every young man to make his impression on the world isn't it his mother who supplies the ammunition?
The AR-15 assault rifle: America’s technical solution to the problem of the “other.”
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